![]() Then we layer on Resolve specific concepts, such as smart insert, close up, and source tape commands. You'll learn the basic concepts of the timeline and timeline tracks, plus age old non-linear editing action such as insert, ripple, and override commands. In part two, we start with the very basics of non-linear editing. In part one, we review the basic mechanics of the cut page, laying out the interface to your preferences, and how you should think about organizing your footage in the timeline itself. It's a fantastic interface for quickly putting together your stories within a very simple and powerful workflow. ![]() My goal in this course is to help you learn how to integrate the cut page into your DaVinci Resolve workflow. In case you're wondering, in this course, I'm using Resolve 17.4. What do I mean by that? Most of the workflows and features covered in this course apply equally to the current version of Resolve as it does to past versions and most likely future versions. Now this series is designed to be version agnostic. If you need a primer on any of these topics, then be sure to watch our Resolve Fundamentals course which covers any of these topics, and is my quick start introduction into DaVinci Resolve. If anything I just said confuses you, that's okay. You should also understand how Resolve's pages flow from left to right. ![]() ![]() This course assumes you have an introductory knowledge of how DaVinci Resolve works, including importing media, creating and organizing your bins, and using the inspector. I've designed this course for anyone new to nonlinear editing, or anyone who understands nonlinear editing, but is confused by the cut page which works quite differently than Resolve's edit page. Welcome to this course which is designed to get you working quickly and efficiently on DaVinci Resolve and DaVinci Resolve Studio's cut page.
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